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sugar hill 3968

Reckless Kelly – Under The Table & Above The Sun

13,50 7,26

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Description

Track Listing:
1. Let's Just Fall - 2:57   2. Nobody's Girl - 3:02   3. Desolation Angels - 5:11   4. Everybody - 4:13   5. I Saw It Coming - 3:12   6. Vancouver - 3:54   7. Willamina - 4:00   8. Mersey Beat - 3:38   9. Set Me Free - 4:24   10. Snowfall - 3:20   11. You Don't Want Me Around - 2:31   12. May Peace Find You Tonight - 3:58

Personnel:
Willy Braun (vocals, acoustic guitar, acoustic 12-string guitar, electric guitar, electric 12-string guitar, piano, harmonium, drums, shaker, tambourine, percussion) , Muzzie Braun (vocals) , David Abeyta (guitar, acoustic guitar, electric guitar, electric 12-string guitar, lap steel guitar, gut-string guitar, wah-wah guitar, sitar) , Steve Fishell (pedal steel guitar, dobro) , Cody Braun (banjo, bouzouki, mandolin, electric mandolin, fiddle, harmonica, tambourine, background vocals) , Jimmy McFeeley (Moog synthesizer, double bass) , Jay Nazz (drums, percussion) , Kim Richey, (vocals) , Ray Kennedy (piano, Hammond B-3 organ, tambourine) , Rosie Flores (percussion)

Recorded at Room and Board, Hermitage, Tennessee in December 2002 & January 2003.

Reviews:

1. AllMusic - Rick Anderson
Call it whatever you want -- country-rock, alt-country, roots rock, whatever -- what Reckless Kelly makes is great, hooky pop music. It's got all the jangly guitars, two-step rhythms, and artificial diphthongs ("I saw the same old streets for far too lahwong") necessary to reassure country-music fans who might nervously suspect that they're enjoying rock & roll, but it makes no real concessions to the genre; when they want to rock out, they do ("Let's Just Fall," "I Saw It Coming"), and when they want to deliver a full-on Texas barroom weeper, complete with a vaguely Mexican acoustic guitar break and strategic smatterings of lap steel, well, they do that too. The brother team of Willy and Cody Braun manage to touch all of the standard, by-the-numbers lyrical themes without seeming to be saying the same things as everyone else. They're asking for mercy and to be set free, and they're broke down, and they're trying to make it to the borderline, and they're frustrated by the inaccessibility of the woman who wasn't around when the sun went down. But when they sing "Nobody's Girl" or "Set Me Free," those tired sentiments actually sound vital and fresh. It's also worth noting that the album includes two songs about skiing and one about the Beatles. Interestingly, there's no one song that really jumps out at you. Instead, the whole thing pulls you along happily, with a feeling very much like that of riding through rugged, beautiful countryside in a nice car. Highly recommended.

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