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La Furlancia – Musica Tradizionale Del Nord Italia

13,50 12,10

SKU: Folkclub Ethnosuoni 5308 Categories: , Tag:

Description

It's a rather new group, but its three musicians have a long experience in playing traditional music. They base their repertoire on traditional dances and songs from Liguria, but they also draw some inspiration from the music of Piedmont, Lombardy, or Emilia Romagna, all regions which share a common musical language.

Track Listing:
1. Lanterna de Zena / Flamenga / Testa grossa – 3:36   2. Picchia picchia la porticella – 2:37   3. Scottisch di Vicenza / Giovannino – 2:56   4. Il Sirio – 3:52   5. Tipetto impegnativo / La luce in dispensa – 3:15   6. La bella piera – 2:46   7. Mazurca e Polca – 4:37   8. La bambina gettata nel pozzo e miracolosamente salvata da S. Antonio – 3:46   9. Il Barcaiolo – 3:26   10. Becco dell'Anitra / Galopa / Mila – 4:24   11. Canzonetta Nuova – 2:05   12. Viaggiatori di Liguria – 8:01

Personnel:
Mauro Barbieri (vocal, percussions) , Antonio Capelli (fiddle) , Fabrizio Contini (guitar, vocal) , Roberto Bagnasco (mandolin) , Donatella Ferraris (cello) , Pierluigi "Jakie" Giachino (vocal) , Lorenze Pastore (accordion) , Fabio Rinaudo (French bagpipe, flutes)

Reviews:

1. rootsworld.com – Aaron Howard
La Furlancia is a guitar and fiddle-based Italian trio who perform the traditional music of Northern Italy, particularly the areas of Liguria, Piedmont, Lombardy and the Italian-speaking area of Switzerland. Much of the music is based on traditional dances that used to be done in this region. These include the flamenga, the sotti, the tabachera and of course, the waltz. One of the album's highlights is "Viaggiatori di Liguria" (Voyage to Liguria), an eight minute medley of five traditional dances.
The song texts come from 18th and 19th century manuscripts. The CD includes a rather extensive bibliography, which is indicative of La Furlancia's approach to this music. These guys are scholars as well as musicians. Getting it accurate is as important as performance technique. Or as the group says in their liner notes "We think we can live more responsibly in the present if we can keep alive the memory of our past". An example of this link can be found in the ballad "Il Sirio", the story of a ship that was wrecked while carrying extremely poor emigrants from Northern Italy to America. At a time when modern Italy faces the issue of immigration from Albania and Africa, such a song may inform an inhospitable Italian opinion. Of course, ballads were oral newspapers, the precursors of newspapers and the electronic news media. In Italy, ballad singers performed at fairs and in towns on market days. They performed both broadsides and songs of famous characters and incidents of local history. One of the ballads on this album is an abbreviated version of "La bambina gettata," a story about a little girl who is thrown into a well and saved by St. Anthony.
The Italian folk scene is rich in talented bands playing native music. Given the fact that Italy was unified rather late in European history, local music played an important role in the lives of the people until quite recently. La Furlancia's album is highly recommended to both scholars and those approaching this music for the first time. - Aaron Howard