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jsp 77152

Various – Women Of Rembetika 1908–1947 – 4CD

24,20 18,15

SKU: JSP 77152 - 4CD Categories: ,

Description

Track Listing:

CD1: 1908-1928
Gülistan Hanim & Arap Mehmet: 1. Seni Gheurduktcha(sic) - 3:27   Mille. Maria: 2. Smyrneiko Mane Dzivaeri - 3:12   Ka. Koula: 3. Karsilamas - 3:25   Mme. Koula: 4. Traindafillia [Dzamiko] - 4:16   Marika Papagika: 5. Smyrneiko Minore, An S'Agapo Ki 'Ein Oniro - 3:32   6. Fa Madzore, I Nychta Me Parigori - 3:14   Kos. & Ka. Papagika: 7. Ta Oula Sou [Zeimbekiko] - 4:05   Ka. Koula: 8. Dhio Psarakia Melanouri - 3:14   9. Ballos Smyrnis - 3:21   10. Chiotissa - 3:57   11. To Vlamaki [Zeimbekiko] - 4:04   12. Aidhinikos Horos - 4:05   Olga Douli: 13. Siga Miga [Karsilamas] - 3:54   Marika Papagika: 14. Smyneiko Zeimbekiko - 3:49   15. Galata Manes, Oso Travieme Ap' Ti Fotia - 3:40   16. Gildelim - 4:04   Amalia Vaka: 17. Adam Aman, Sti Mavri Yi Chrosto Kormi - 3:55   Amalia Vaka & Yianniotisa: 18. Berbandis - 3:49   Marika Papagika: 19. Gel Gel [Karsilamas] - 4:07   Aggeliki Karayianni: 20. O Vaggelis - 4:03

CD2: 1928-1934
Marika Papagika: 1. Baglamadhes [Zeimbekiko] - 3:57   2. Smyrneikos Ballos - 4:02   Mme. Pipina: 3. Smyrneikos Manes - 3:01   Kas. Pipinas: 4. Eche Yeia Panayia - 2:55   5. Ti Se Melli Esenane - 3:06   Marika Politissa: 6. Nini - 3:05   Róza Eskenázi: 7. Bul Bul Manes - 3:06   Marika Politissa: 8. Dzivaeri, Posses Pliges Mou Anixes - 3:21   9. Yia Afto Foumaro Kokaini - 3:19   Rita Abadzi: 10. Politissa - 3:17   11. Galata Manes, Lismonise Olotelos - 3:25   Mahmure H. Hanim: 12. Coshkun Zeybek - 3:15   M. Nezer & M. Zaphiridhi: 13. To Yellekaki - 3:08   Rita Abadzi: 14. Mes' Tou Dzambikou Ton Teke - 3:21   Róza Eskenázi: 15. Gazel Hiouzam, Anastenazo Kegonde - 3:23   16. Barbouni Mou Thallasino - 3:05   Rita Abadzi: 17. Hariklaki - 3:15   Katina Homatianou: 18. Minore, Skliro To Peprameno - 3:17   Rita Abadzi: 19. Feredze Foro - 3:19   Marika Kanaropoulou & Tourkalitsa: 20. Mia Hira Ap' Tin Kokkinia - 3:11   21. Neva Hedzaz - 3:21   Róza Eskenázi : 22. I Lachanades [Zeimbekiko] - 3:21

CD3: 1934-1936
Róza Eskenázi: 1. Sti Dhrapetsona - 3:28   2. O Fthisikos - 3:31   3. To Kanarini - 3:17   Rita Abadzi: 4. As' Ta Kolpa - 3:15   5. Yia Tin Agapi Sou - 3:27   Stella Voyiadzi: 6. O Amerikanos - 3:16   Róza Eskenázi: 7. Hathika Trellathika - 3:21   Rita Abadzi: 8. Zourlopenemenis Yenna - 3:17   9. Stis Aretousas Ti Spilia - 3:11   Maritsa Pandhra: 10. Kleftodzandas - 3:14   Anna Pagana & Politissa: 11. Ime Prezakias - 3:28   Marika Kanaropoulou & Tourkalitsa: 12. Alanaik - 3:03   Aggelitsa Papazoglou: 13. Dhervisena - 3:09   Róza Eskenázi: 14. Arapi Gazel Ousak, I Tichi Mou Me Dichase - 3:28   Kitsa Korrina: 15. Vre Manoli - 3:07   Aidhinia & Chrysa Thivaiou: 16. Sabach, O Kosmos Opos Eyine - 3:10   Rita Abadzi: 17. Ballos, Dhen Boro Na Klego Pia - 3:26   18. Ta Hanoumakia - 3:20   19. Karip-Hedzaz, Otan Ptochini O Anthropos - 3:19   Yeoryia Mittaki: 20. Mana Thelo Enana Andra - 3:08   Annitsa Nikolaou: 21. To Krasi Ki' An To Pino - 3:16   22. To Mathene Pos S'Agapo - 3:23   Sophía Karívali: 23. Pia Dhen Me Yelas - 3:12

CD4: 1936-1947
Róza Eskenázi: 1. Alaniara - 3:24   Stellios Keromytis & Tassia Vryoni: 2. Ean Dhen Isoun Fthisikia - 3:21   Rita Abadzi: 3. Omorfi Thessalonikia - 3:29   Sophía Karívali: 4. Mi Me Pedhevis Adhika - 3:05   Nota "Mytilinia" Kalleli: 5. Mou Ipan Na Mi S'Agapo - 3:23   6. Lavriotissa - 3:12   Stellios Keromytis & Ioanna Yeorgakopoulou: 7. Babesika Mou Ta' Feres - 3:20   8. Bros Ton Ayio Spyridhona - 3:22   H. Mavridhis& Ioanna Yeorgakopoulou: 9. Mi Se Planepsan Ta Lefta - 3:11   Stellios Keromytis & Daizy Stavropoúlou: 10. Horis Elpidha Na Pono - 3:19   Em. Hiotis & Ioanna Yeorgakopoulou: 11. To Rologaki Pou Foreis - 3:23   Daizy Stavropoúlou: 12. Ta Nisia Tou Paradhisou - 3:22   Ioanna Yeorgakopoulou: 13. Pame Apopse Me Varkoula - 3:22   Daizy Stavropoúlou: 14. Mikropandremenaki Mou - 3:12   S. Karivali & M. Vamvakaris: 15. O Koumbaros O Psaras - 3:35   Em. Hiotis & Ioanna Yeorgakopoulou: 16. O Loulas - 3:02   Stellakis & Ioanna Yeorgakopoulou: 17. Dos Mou Fotia N'Anapso - 3:12   Stella Haskil: 18. Psaras Tha Yino Sti Steria - 3:21   Stellakis & Ioanna Yeorgakopoulou: 19. Na Zei Kanis Sti Monaxia - 3:17   Stella Haskil & V. Tsitsanis: 20. To Rendevoudhaki - 3:13   Stella Haskil: 21. Bir Allah - 3:18   Kaldharas - Kyriazis - Stella: 22. Eviva Rembetes - 3:22

Reviews:

1. AllMusic - Thom Jurek
JSP continues its grand series of rembetika compilations with this four disc collection -- the very first retrospective to feature exclusively female performers. Rembetika's murky history is compelling. Its origins are not exactly known, but can be traced to the mid-19th century. In 1911, the word "rembetico" appeared on a record label, and the word was defined as being of "mildly erotic" bohemian content; it was used to describe such records through the mid-'20s. That said, the musical style was recorded before the word appeared. Beginning around 1925, the music's name changed and became associated specifically with the underworld and street culture -- primarily because it was played in brothels, hash and gambling dens, prisons, and other surroundings associated with criminal activity. It was raw, immediate, sometimes harsh and bawdy, other times violent and sinister or blatantly seductive. The music listeners consider true rembetika emerged after the Greco-Turkish war. It flourished between 1925 and 1937 when it was officially censored as "immoral" by the Metaxas government. The music lived, however, and went deeply underground; it surfaced again briefly around 1946 before it was once again censored. The instrument rembetika brought to Greece's popular consciousness was the bouzouki, though violins, ouds, hand percussion, and singing were all part of the rembetika experience. The four-disc, 87-track collection was curated by the great rembetika scholar Charles Howard. It commences before "rembetico" history and ends after its second banishment from Greece's official cultural world. Many of these sides are true underground records. Some of the artists here, such as Marika Papagika, Rita Abadzi, and Roza Eskenazi achieved fame beyond Greece's borders (Papagika recorded in New York). More importantly, however, are those sides by lesser-known singers like Kyria Pipina, Aggelitsa Papazoglou, Ioanna Yeorgakopoulou, and Chrysa Thivaiou. This is a treasure trove of outlaw music from the early 20th century, performed by some of its greatest artists, many of whom even fans of the music didn't know existed. The sound is as fine as can be expected, and Howard's effort was gargantuan -- he even included transcriptions in his liner notes.

 

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