Various – Indian Reservation Blues And More – 3 CD
A unique project presenting the best Native American music from the US and Canada of today : Blues, Country, Folk music, Traditional songs and chants, Americana... even some R'n'B and Hip-Hop music, American Indian style! 3 CDs - 3 hours of music - 30 minutes of video - 33 Artists - a 48-page booklet with an introduction by Pura Fe' (artist), Elaine Bomberry (television producer) and Guy “The American” Fay (talent scout). This 3-CD collection sets the record straight about the reality of Indian music, highlighting its strong influence on American music in general, and blues in particular. This set introduces us to the “Real Indians” of today who express their rebellion through hip-hop, performing highly original music that carries traces of blues, rock and country. It is time to re-evaluate the culture of the indigenous, “First Nations” people of North America, and the influence they have had since the beginning of American roots music.
1. Aaron White - Heart Beat - 1:15 2. Wayne Lavallee - Trail Of Tears - 4:40 3. Keith Secola - Wailing Blues - 3:36 4. Derek Miller - Shot O' Cocaine - 3:45 5. Art Napoleon - Cree Sunrise - 1:55 6. A. Paul Ortega - Chicago - 6:41 7. George Leach - Dizzy Dog - 4:38 8. Jaques & The Shakey Boys - God And The Devil - 2:49 9. Art Napoleon - Bushman Blues - 2:30 10. Aaron White - Two Warriors Crossing - 1:01 11. Wayne Lavallee - Shed Allot Of Light - 5:21 12. Elizabeth Hill - The Grass Looks Greener In A White Man’s Yard - 3:49 13. Murray Porter - Heart Of The Eagle - 4:21 14. Julian B - In Da' City - 4:20 15. Leilani - Go Back - 3:52 16. Asani - Rez Sister - 1:00 17. Slidin' Clyde Roulette - Redman - 3:52 18. Aaron White with John Desmore - Heart Beat - 4:07
1. Keith Secola - 4R Ancestors - 4:24 2. Alex Jacobs Indian List - 5:20 3. Indigenous - Leaving - 6:07 4. Aaron White - John Doe - 4:44 5. Corn-Bred - General Sullivan - 5:02 6. Art Napoleon - Hunting Chant - 2:41 7. Star Nayea - Silenced My Tongue - 3:16 8. Derek Miller - Mystery Train - 4:20 9. Cary Mourin - Lacrosse - 4:02 10. Quese IMC - Good Ol' Amerikkka - 3:48 11. Butch Mudbone - It Was In The Old Times - 7:11 12. Faron "Pappy" Johns - Thru The Door - 5:01 13. Sandy Scofield - Layla's Lullaby (Kawapimtim) - 3:23 14. Tonemah - There's A Train - 4:40 15. Keith Secola - 4R Ancestors - 2:45
1. M'Girl - Kitaskinanaw - 3:49 2. Cochise Anderson - Kokopelli’s Groove - 2:15 3. Keith Secola - Kokopelli Blues - 3:11 4. Jim Boyd - Inchelium - 4:15 5. George Leach - Indian Blues - 4:10 6. Derek Miller - Devil Come Down Sunday - 3:53 7. Cary Morin - Live A Little - 5:08 8. Pura Fe' - Stand Up For Human Pride - 6:58 9. Charly Lowry - Brownskin - 4:10 10. Joy Hario - Witchi Tai To - 5:01 11. Jason Burnstick Band - Ain't Going Down - 4:00 12. Jim Boyd - Rebel Moon - 2:53 13. The Plateros - Lord Of All - 4:47 14. Gary Farmer & The Troublemakers - Stripped Me Naked - 5:03 15. M'Girl - Healing Song - 2:34
The idea for this Modern INDIAN RESERVATION BLUES and more… was born after we started working with Pura Fé three years ago. The first two Dixiefrog folk-blues and protest song albums of this great artist of Tuscarora origin, largely influenced by indigenous "First Nations" music of southeastern US, met with great success in France.
Pura Fé was instrumental in getting Guy l’Américain (Dixiefrog’s leading talent scout for the past ten years) in touch with various First Nations and Native artists hailing from various musical horizons. Jean-Pierre Bruneau, a professional video maker and ardent music journalist, soon joined the team with the idea of directing a DVD/television documentary.
A couple of years ago, Guy thus set out for one of his recurrent trips to the US, armed with a small video camera lent by Bruneau, and came back two months later with something like thirty hours of video recordings chock-full with wonderful music, great interviews and the kind of emotional, unique moments a full TV crew could never hope to capture on tape. Only someone as dedicated as Guy, with his small, unobtrusive camera, could have gained the confidence of the people he met.
None of the native artists Guy met in the US and Canada were professional mainstream musicians in the usual meaning of the term. In fact, most of them still lived on reservations and Guy came back with a wealth of poorly distributed CDs and rough demos that he brought back to France where he took the time to listen to them religiously, as he should.
At Dixiefrog, we were struck by the incredible diversity of these recordings. There was blues, country music, rock, traditional tribal chants of course, as well as hip-hop and R’nB, but all of them had something in common. Musically, even those that weren’t "ethnic" recordings retained many specific traits of traditional Indian music, a plaintive sound and the same sense of pride, dignity and suffering that was once found in African-American blues music. Several words and phrases came back relentlessly, song after song: Reservation, Ancestors, Mother Earth, Brothers & Sisters, Genocide.
It is not our intention at Dixiefrog to look at the Indian question from a political standpoint. France has no lesson to teach the world and Indigenous people have no claim to perfection. Some of them are the heirs of Geronimo and others are casino capitalists. And although they are largely ignored, they consider themselves the biggest contributors to the Americas. There’s no denying that melancholy, anger and revolt still linger in the heart of these artists, and their music still bears the dignity and spirituality of their people.
The spirit of their ancestors still blows on the majestic landscapes that surround them, the blood of the original Indian warriors runs through their veins ("We’ve been fighting terrorism since 1492," as they sing) and they have kept a strong sense of their communion with Nature. They believe all living things are related, that you cannot own "mother earth" or "father sky", and that this respect is very much present in their culture. They believe Human beings are the last creation, a small part of a great whole, far beyond anything comprehensible. This message, so close to the teachings of ecology and Buddhism, can no doubt prove useful to our planet today.
In the light of Guy’s findings, Native people don’t have much in common with the Hollywood stereotype of "Indians" in feathered headbands who play the flute and beat on drums. The time has come for us to meet the "Real Indians" of today who express their rebellion through hip-hop, performing highly original music that carries traces of blues, rock and country. It is time we realize the strong influence and culture of the indigenous, "First Nations" people of the Americas have had since the beginning of American roots music.
Musically speaking, who would have thought that there was still so much to discover in the USA? For those who show an interest in the social, political and geographical reality of North America, it’s indigenous music is a true gold mine. The strong spiritual and philosophical thinking of these little-known cultures could even teach a redemptive lesson to the world at large, and more specifically to mainstream America, uncontested champion of pollution and over-consumption.
The INDIAN RESERVATION BLUES and more… set will take the form of a triple album. Each one of these CDs will contain one hour of music, as well as a 10-minute video track showcasing about half of the 33 creators featured in the recordings. A 40-page booklet presenting these artists individually will also be included, complete with a wealth of biographical and musical elements.
A 52-minute "road movie" also is in the works, and a show featuring a number of the artists presented here will go on an extensive European tour in the months to come.
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