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PAUL JAMES + MARK HAWKINS - HORSE  1

Paul James + Mark Hawkins – Horse

13,50 9,68

SKU: Folkclub Ethnosuoni 5314 Categories: , Tag:

Description

Paul James, the unforgettable former leader of the historic English band Blowzabella, is a very skilled wind-instrument player and composer and has worked with more artists and bands, such as Scarp and Ancient Beatbox. In recent years James has worked together with keyboard player and composer Mark Hawkins, dealing with soundtracks for documentaries and TV programmes. Their début CD is an effective blend of acoustic and electronic sounds.

Track Listing:
1. Horse - 6:51   2. Fat Earth - 5:28   3. The Four Points - 5:13   4. Hillfigures - 7:36   5. Grownover - 4:26   6. Beidh Aonach Amarach - 2:23   7. Biniou - 4:50   8. Cornhead - 5:06   9. Blacksmith - 9:22   10. Voodoo That U Doo – 3:47   11. Horse (Radio Edit) - 3:36

Personnel:
Paul James (saxophones, snare drum, harmonic flute, whistle, low whistle, bagpipes, drones, macedonian flute, organ) , Mark Hawkins (keyboards, programming, guitar, piano, drones) , Carlos Baceiro (saz, cumbus, bouzouki) , Sheila Chandra (konnakol) , Luke Daniels (accordion) , Nigel Earton (hurdy-gurdy) , Victor Nicholls (bass guitar, electronics, loops, ebow) , Kenny Stone (drums) , James Carter (guitar) , Eleanor Shanley (vocals)

Reviews:

1. Rootsworld.com - Peggy Latkovich
English musicians James and Hawkins put together a pastiche of dance, ambient, jazz, Celtic, Indian, Middle Eastern, and other flavors in this fine release. Cross-cultural experiments so often either fall flat or end up a tangled mess of limbs on the floor. (As a friend and excellent musician once put it, you can have the finest olives and the finest chocolate, but chocolate-covered olives are pretty rank.) Here the cultures manage to coexist without stepping on each other's toes. Saz and sax, bagpipes and bouzouki, keyboards and konnakol all dovetail into each other quite smoothly, thank you. Of course James and Hawkins have some big guns helping them out, such as Sheila Chandra, Nigel Eaton, and Eleanor Stanley. Several of the tracks here will do for Celtic and Indian music what Moby did for blues and gospel on Play. "Grownover" is a tender yet moody piece with fluttering Macedonian flute, delicately ringing guitar and well-placed loops. "The Four Points" is a pure Irish jig, with whistle and Phil Cunningham-inspired accordion, yet the presence of saz and the subtle layers of programming turn it into something more. Sheila Chandra's konnakol on several of the tracks is nothing short of breathtaking. Eleanor Stanley's contributions are among the most startling, in part because they are so structurally simple after so much layering. The traditional song "Beidh Aonach Amárach" has little to adorn it but a mysterious little drone break in the middle, adding an ominous touch to an otherwise spry little number. Her take on "Blacksmith" is windblown and eerie, sung over whistle and electronic drones. The longest track on the CD, it segues into a sharp Middle Eastern groove backed by industrial beats, before ending on a dime. "Voodoo that u doo" sounds like what would happen if an old-time string band was caught in a time and space warp. Horse is nothing if not quirkily varied, but all in all a rewarding listen. -

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